An experiment in optics and illusion, the design focussed on the elements that would intrigue those who interacted with it. In their assessment, the Judges noted the effectiveness of the illusion created by the water and mirrored surface, whereby Jury member Bjarke Ingles admitted that he did not realise there was a bar counter until he physically touched it.
The pavilion’s elemental tectonic evokes two circular planes containing water separated by slender columns.
Water suspended by a clear film hangs overhead, forming a lenticular object that acts to focus and distort light. The lense works in two directions - it concentrates light beams one way and simultaneously distorts the surroundings for the ones looking through it.
At ground-level, the pavilion used optical illusion to a functional advantage,
where a semi-circular pool of reflective water is completed by a mirrored bar surface.
In the Charlottenburg Kunsthall where the pavilion made its first appearance, the normally benign Northern sun baked food against it’s mirrored surfaces and set alight sheets of stray paper. At night, a focussed beam shone through the lens of water creating spectacular rainbow caustics that would bounce off the reflective pool at ground level and decorate the surroundings in colour.
“They nailed it with a sense of humour, perfectly executed “
Kristoffer Lindhardt Weiss -Author and critic - Danish Architectural Press
The pavilion operated as a restaurant during the CHART - Copenhagen Art Fair at the Kunsthal Charlottenburg. Attendees were required to walk through the water to be able to order champagne and oysters selected by restaurateurs L’Esprit du Vin. Initially hesitant people removed their shoes and played in the shallow pool all night.
There is no way to enter the pavilion unless you are ready to get wet. The pool turned out to be both a positive provocation for snobbish oyster lovers and a generator of joy for the younger participants of the event.
A high-profile international jury unanimously selected SkyLense as the winner between the six finalists shortlisted. The judges were especially impressed by the group’s ability, as Bjarke Ingles put it: 'to cook soup on a rock' - an idiomatic Danish expression used to symbolise ingenuity and resourcefulness. The regulations of the architectural competition imposed a strict timeline and budget, yet the result was nevertheless impressive.
The 4th annual Chart Art Fair took place between the 26st and 28th of August and exhibited the work of Scandinavia’s foremost contemporary galleries, with free public access to an architectural competition comprising six pavilions which were finalists of the CHART Architecture Competition. These pavilions were exhibited in the courtyard of Charlottenborg Kunsthal alongside the art collection, and the winning pavilion announced at the end of the event. While the CHART Architecture Competition focuses on emerging Scandinavian designers and artists, this year’s winning team comprised members from Latvia, Poland, Bulgaria, Denmark and Australia. Perhaps emblematic of Copenhagen’s own international outlook and its success in attracting a diversity of talent from abroad.